Not that it’s inherently a bad thing, of course, given that I’m a fan of a great many things. I often cross the line into obsession, just a little bit. That doesn’t mean I blame other people for liking things I don’t. And that the creators probably have a different agenda than I do.
For an example I didn’t plan on using, Hawaii 5-0 (the new one) has decided to jump genres from quasi-police drama to extreme Super Spies! (this choice I don’t get so much).
However, many fans are complaining about the season premier of NCIS because they blew up the building last season’s finale and then wrapped up a plot line taking at least three months in less than an hour. While I missed the potential for character development and hurt/comfort, the writers aren’t thinking about it from a fan’s perspective. I also wonder if they understand fan angst after such a dramatic event: like that TV show that shot a main character and made the entire season a dream. It’s kind of a cop-out.
In the case of NCIS, though, a lot of time wrapping up last season’s plot probably would distract and tedious for regular television watchers. If you don’t obsess over a show, how are you supposed to keep all the necessary back story straight? The generally episodic nature of NCIS probably explains much of its longevity (and lack of on-screen shipping—offend no one, engage everyone!).
Have you heard the term ‘shipping’? I could link you, but you may want to preserve your innocence.Suffice to say, it’s the point where many fans start slipping the line to fanatic. People get passionate about which characters have relationships and who they have them with. I find the intensity odd, but since I read primarily non-relationship works (called ‘gen’), I don’t bother with it. More insidiously, some less than level-headed fans direct their attentions to just one character. Of course, they’re writing fan fictions, or participating on forums, and they are incapable of sympathetic reasoning toward any other character, cannot under any circumstances recognize on-show teasing, and refuse to recognize their character could possibly have any flaws.
Perhaps this explains Twilight. Despite all the flaws written into both Edward and Bella’s characters, when viewed objectively (snobbery, jealousy, possessiveness), because they are never explicitly stated in-text as flaws, and indeed, are written as virtues, people who enjoy the series can’t stand to hear that anyone dislikes what they love.
Clearly there is a failure to teach critical thinking.
Just because I like McGee, for example, best of the characters on NCIS, doesn’t mean I don’t recognize that all his flaws are non-existent. Like all the characters, he suffers from inconsistencies what with all the years and all its producers, NCIS isn’t a show built for canon purists.
But so many people can’t seem to accept this at all. They attack other fans, other fan-works and they can’t believe their prejudices aren’t supported by evidence: to the point where they can’t even participate in a reasonable discussion. For instance, NCIS takes little seriously, it’s a funny show. But Tony fans take every single joke as an assault on his character, regardless of whether the character takes any particular notice. I should also note this trend holds steady with any show, any character.
Fans can be the best at the ‘question anything’ mentality, coming up with wild theories to make sense of plot holes or reused actors playing different roles. Critical thinking begins with asking questions, but when fans find a pet theory and stop asking, it defeats the purpose. It’s not ‘thinking’ anymore, it’s delusion.